Fictomeres and Relatable Characters
These are characters who I identify with or relate to! To be brief, if a character is my fictomere, than they are a part of my identity, similar to how someone might use a term like "bisexual" or "introvert" to name a part of their identity. Obviously it is a bit deeper and sometimes more spiritual-ish(?) then that, but that's still basically what I mean when I say "_ is my fictomere."
For a fictomere, I identify with every aspect of that character, and there is no part of them I would look at and go "well, that bit isn't me." (Other than, you know, I obviously haven't lived in the Octarian domes or fought a King trying to freeze a country in time.) Whereas for a character I just relate to, I might find one or two aspects of their personality or situation relatable, but not the rest of them. I also don't feel a strong tie to a relatable character in the same way that I do to a fictomere. Unlike fictomeres, a relatable character isn't a part of my identity - just someone I might compare myself to.
Fictomeres
Eight (Splatoon)
Eight is a character I've felt very closely tied to ever since my introduction to the Splatoon series (which was mostly Splatoon trailers on the Nintendo 3ds eShop). Looking at them feels more like looking at myself than actually looking at myself in the mirror does. They're the reason I go by "Eight," after all. Their story is all about rebirth and memory loss and self-definition. They come from a blank slate, literally climbing out of the dark to figure out who they are, still haunted by the ghosts of a life that they couldn't even remember that they used to lead. They built their own selfhood through what they survived, not what they were told to be. They lost their memories and could only view them through what was essentially a third-person perspective - they could read the memcakes, sure, but that's not the same as having those memories "back." And then, after they escaped the Deep Sea Metro, and thought they were finally, finally free, they were trapped in the false reality of the Spire of Order. Eight's story is my story, viewed through a different filter. Eight is a reflection of me, in a different shape and in a different world.
Siffrin (In Stars and Time)
Siffrin is a very special character to me, being the first character to make me realize I was fictofolk (and by extension, alterhuman). He's also the fictomere that I'm most of protective of, as they are very emotionally vulnerable with the player in the game, so only the people closest to me (queerplatonic partners, mostly) are allowed to call me "Siffrin" or "Sif." They feel like a direct parallel to me in so many ways - the way I think, the specific ways I might behave or feel in certain situations, the memory issues, those thoughts I don't speak to anyone but still echo around my head regardless. Like nothing else, Siffrin's story says, "I see you, and I'm going to hold up a mirror to you. Like nothing else, Siffrin's story knows the dark places I've been to, and says that it will get better, that I'm not alone, that I am loved and I am changing, even if it doesn't feel like it yet. Because eventually, it will.
Ena (ENA (series) and ENA Dream BBQ)
It's tough for me to explain why I relate to Ena so much, as she and her world is so often characterized by absurdity. I think what makes Ena stand out to me, though, is that she doesn't fit into that absurdity - she's seperate from it, existing in a very different sort of way. Ena has two selves which often flip-flop between a polite, formal, submissive & cooperative additude and an act of despair, assuming the negative intentions of both the people and the world and around her (the difference between them being that series Ena reacts to that despair with sorrow, while Dream BBQ Ena reacts to it with rage). Ena doesn't fit in, and it's not as simple as to say "you're just a little weird, but that's what makes you special :)" because to exist outside of the expectations of others is to not be caught in that universal rythym. Alone, alone, alone. So, in an attempt to conform to a world that seems unfathomable to her, she puts on a mask. A show. She feels as though she's forced to contend with an expected image that people want her to perform, while in reality, she finds it impossible to understand those expectations or why they'd be desirable in the first place. It should fix her, shouldn't it, wearing that mask? But the joy of the audience is not necessarily the joy of the performer, because acting is indeed an act. At the end of Power of Potluck, Ena confesses that she cannot understand to do so, she only ever ended up confused, upset, and indeed wearing a mask. Happiness is often sacrificed at the alter of conformity, and true self-love and acknowledgement is something that must be fought bitterly for.
Relatable Characters
Peter Lucas (The Magnus Archives)
Jonathan Sims (The Magnus Archives)
Jax (The Amazing Digital Circus)
Mae (Night In The Woods)
Katie Mitchell (The Mitchells vs The Machines)
Kris (Deltarune)
Zoey (KPop Demon Hunters)